The Age of DÜRER The Age of DÜRER
  • ART IN THE PRAGUE COURT OF EMPEROR RUDOLPH II
    The Age of DÜRER The Age of DÜRER (an introduction) Greeting The Early Days: Fifteenth-Century Compositions The Early Days: Fifteenth-Century Compositions - 2nd view ALBRECHT DÜRER AND HIS CIRCLE ALBRECHT DÜRER AND HIS CIRCLE - 2nd view ALBRECHT DÜRER AND HIS CIRCLE - 3rd view CHIAROSCURO DRAWINGS THE BEGINNINGS OF THE LANDSCAPE GENRE AND IMAGINARY LANDSCAPES PREPARATORY DRAWINGS PREPARATORY DRAWINGS - 2nd view ART IN THE PRAGUE COURT OF EMPEROR RUDOLPH II ART IN THE PRAGUE COURT OF EMPEROR RUDOLPH II - 2nd view Press Coverage Impresum Virtual Tour
    MúzeumShop
  • info
  • 3d_rotation
  • view_module
  • hu
  • en
chevron_left
  • expand_less
  • expand_less
  • launch
  • expand_less
  • expand_less
  • expand_less
  • expand_less
chevron_right

ART IN THE PRAGUE COURT OF EMPEROR RUDOLPH II

Hans Hoffmann: Head of an Angel
Hans Hoffmann: Studies of Hands
Hans Hoffmann: Peony
Hans Hoffmann: Green Grasshopper
Hans Hoffmann: Bullfrog
Hans von Aachen (?): Emperor Rudolph II in Armor

ART IN THE PRAGUE COURT OF EMPEROR RUDOLPH II




Rudolph II ruled as king of Hungary from 1572, and as Holy Roman emperor between 1576 and 1608. He moved his imperial residence from Vienna to Prague, and the city soon became Europe’s centre of culture. The emperor invited the greatest artists and scholars of the age to his court, and he built up a rich art collection. The present exhibition features drawings by four of the German artists who served for many years as imperial court painters. Hans Hoffmann began his career in Nuremberg, and from 1585 until his death, he worked in the Prague court as a painter and art agent: through his mediation, the emperor acquired a number of original works by Dürer. Hoffmann was still living in Nuremberg at the time he made the works shown here: two copies after Dürer and some of his depictions of flora and fauna. Joseph Heintz the Elder painted in the Prague court from the early 1590s until his death, and travelled throughout Europe on behalf of the emperor, seeking works of art for his collection. His Allegory and his drawing of a female nude give us a clear sense of Rudolph II’s interest in unusual themes and erotic works. Hans von Aachen was appointed court painter by the emperor in 1592, but he did not move to Prague until 1596, where he painted portraits as well as pictures on allegorical and mythological themes. The full-length portrait of the emperor, shown here, can be directly connected with one of his paintings. Matthias Gundelach served as official court painter from 1592 onwards. His drawing illustrates an episode from Ovid’s Metamorphoses.