In these two cases and the wall above them we see original and facsimile documents as well as original artworks (including photographs) from the Bauhaus and by Bauhäusler in both its first Weimar venue, and its second home in Dessau. Included are photographs by László Moholy-Nagy, Lucia Moholy, Lux T. Feininger, Hannes Meyer and Werner David Feist, and artworks by Andor Weininger, Fritz Kuhr and Hugó Johan (all items are from a private collection, except for works by Weininger and Feist, which from the School of Art Gallery Collection). Weininger and Feist were two of only three Bauhausler to end up in Canada after World War II. Among the documents are (left to right): Walter Gropius' Manifest und Programm des Staatlichen Bauhauses, Weimar, April 1919 [Manifesto and Program of the State Bauhaus in Weimar] illustrated with Lyonel Feininger's woodcut Cathedral (1919) on the title page (facsimile: Pavillon-Presse, Weimar, 2002); Walter Gropius' Idee und Aufbau des Staatlichen Bauhauses Weimar [Idea and Realization of the State Bauhaus Weimar] Munich: Bauhausverlag, 1923 (designed by Moholy-Nagy); Herbert Bayer (cover) and Moholy-Nagy (layout), Bauhaus in Weimar 1919-1923, Weimar and Munich: Bauhausverlag, 1923 (facsimile: Lars Müller, Zurich, 2019); the first three issues of bauhaus magazine (nos. 1, 2, 3, 1926-27), edited and designed by Moholy-Nagy (with Walter Gropius) (The Salgo Trust for Education); later issues of bauhaus magazine (1927-31, originals and facsimiles); Herbert Bayer, emergency money of the State of Thuringia, two-toned, printed paper, 1923; Brochure for the Bauhausbücher Series, design: László Moholy-Nagy (M. Szarvasy, New York and The Salgo Trust for Education); Eight of a set of ten postcards issued on the occasion of the Bauhaus Exhibition, Weimar, 1923 (facsimiles: Berlin: Panorama, 2009); and Ernst Kállai, ed., Der Kunstnarr [The Art Nut], no. 1 (April 1929). These objects give a sense of what the institution was like in its conception and in its products (Unless otherwise indicated, publications are from a private collection)

László Moholy-Nagy

Lucia Moholy at Bell-Ile-en-Mer

1926
silver gelatin print from original negative, authorized edition, 1994
Collection of Oliver A. I. Botár
Photograph by Leif Norman

László Moholy-Nagy

Lucia Moholy with her Head on a Table at Ascona

1927
silver gelatin print from original negative, authorized edition, 1994
Collection of Oliver A. I. Botár
Photograph by Leif Norman

László Moholy-Nagy

Sibyl Moholy-Nagy

1927
silver gelatin print from original negative, authorized edition, 1994
Collection of Oliver A. I. Botár
Scan by Oliver A. I. Botár

László Moholy-Nagy

Dijon

c. 1927
silver gelatin print from original negative, authorized edition, 1994
Collection of Serena Keshavjee
Photograph by William Eakin

László Moholy-Nagy

Fish Heads

c. 1927
silver gelatin print from original negative, authorized edition, 1994
Collection of Oliver A. I. Botár
Photograph by Leif Norman