Donald W. Buchanan promoted modern design through The Design Centre of the National Gallery of Canada, where, from 1947 to 1953, he organized exhibitions as well as establishing the “Design Index.” Eva Fernbach was one of the only women allowed to study in the Bauhaus’ Furniture Workshop, and, along with her husband Andor Weininger and Werner David Feist, was one of only three Bauhausler to settle in Canada. With her husband, she tried, without success, to continue her work as a furniture designer in Toronto during the 1950s. Upper register, left to right: Perspective 1952 (University of Manitoba), open to A. James Donahue, “Industrial Design in the Architectural School' (University of Manitoba Archives and Special Collections); Andor Weininger, untitled (sketches for chairs), graphite and pencil crayons on paper, 1953 (School of Art Gallery); Andor and Eva (Fernbach) Weininger, design for an armchair in light colours, 1954 (Metropolitan Museum, New York) digital exhibition print; Andor and Eva (Fernbach) Weininger, design for an armchair in primary colours, n.d. (ca. 1954?) (present whereabouts unknown) digital exhibition print. Lower register, left to right: Donald W. Buchanan, ed., Canadian Designs for Everyday Use. Ottawa: The Canadian Design Index/The National Gallery of Canada, 1949 (University of Manitoba Libraries); Canadian Art (Christmas-New Year, 1947-48), open to Donald W. Buchanan, “Design Index” (private collection); Donald W. Buchanan, Design for Use in Canadian Products, Ottawa: National Gallery of Canada and Department of Reconstruction and Supply, 1947 (University of Manitoba Libraries); Journal of the Royal Architectural Institute of Canada (1946), open to show Donald W. Buchanan, “Design in Industry” (University of Manitoba Libraries).