Extraordinary Artworks Extraordinary Times Extraordinary Artworks Extraordinary Times
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    Extraordinary Artworks Extraordinary Times Greetings 1st hall 1st hall 2nd View 1st hall 3rd View 1st hall 4th View 1st hall 5th View 2nd hall 2nd hall 2nd View 2nd hall 3rd View 2nd hall 4th View 2nd hall 5th View 2nd hall 6th View 3rd hall 3rd hall 2nd view 3rd hall 3rd view 3rd hall 4th view Art Gallery - 1st Room Art Gallery - 2nd Room Art Gallery - 3rd Room
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3rd hall

aatoth franyo: Black Plantation
aatoth franyo: Garden 14.
aatoth franyo: Garden 36.
aatoth franyo: Garden 38.
aatoth franyo: Garden 7.
aatoth franyo: Same Lake with Different Plants
aatoth franyo: Spade 16.
aatoth franyo: Spade 4.
aatoth franyo: Study for Green Wall
aatoth franyo: The Enlightened Pig
László Szotyory: Remembering
László Szotyory: The Way to the Jungle I.
Levente Herman: Nest
Levente Herman: The Rhythm of the Bark 32.
Péter Ujházi: 2016. 5.17. Nadap
Péter Ujházi: 2016.4.13. Orond
Péter Ujházi: Nynäs 2.
Péter Ujházi: Nynäs 3.
Péter Ujházi: Spring Now
Péter Ujházi: Sweedish Forst

3rd hall

In celebration of its 30th. anniversary, the Várfok Gallery continues its exhibition programme with a large-scale group exhibition entitled ‘Extraordinary Artworks in Extraordinary Times’.

The Várfok Gallery has been closed for two months because of government restrictions relating to COVID-19, during which time it contributed to a series of art based articles with Papageno online cultural magazine called ‘Extraordinary Artworks in Extraordinary Times’. The articles, echoing the Várfok Gallery’s motto, ‘The Antique Was Also Contemporary Once’, incorporated contemporary art within the framework of classical art with the aim of awakening in readers a range of free associations and thoughts.

The starting point was often an artwork from the Várfok Gallery collection, but presented in a broader context. Comparisons were made between the iconic photography of Péter Korniss’s ‘Women with Baskets’ and Italian sacra conversations, the lion of László Szotyory with depictions of medieval bestiaries and glorious baroque images, the frightened cow of Máté Orr with ‘Horse Frightened by Lightning’, by Eugène Delacroix, a leading figure of French Romanticism.

In addition to the above, the exhibition also features outstanding art pieces such as Françoise Gilot’s self-portrait, ‘Pénelopé’, a gem of Endre Rozsda’s kaleidoscopic period, the radiant ‘Tidal Factors’ by László Mulasics and, one of his final works, Interferences III.

A special feature of the exhibition will be that, along with the contemporary artworks by artists of the Várfok Gallery, classical masterpieces will be shown. ‘Ino and Melikertes Tumbling into the Sea’ (circa 1830, Gábor Kovács Art Collection), an outstanding work, heated with romantic fervour, by Károly Markó the Elder, one of the founders of Hungarian landscape painting will be on display. Additionally, the touchingly beautiful and intimate painting, ‘Mother with Child’ by Noémi Ferenczy (1890–1957), a versatile artist who revived the interest in twentieth-century Hungarian tapestry art will also be on view.

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